Thoughts

Ambition and the Past, Nov. 2011

“Ambition, if it feeds at all, does so on the ambition of others.”
-Susan Sontag

I saw the above quote projected during a performance of Kristin Marting et al’s Lush Valley at HERE in September. It’s come up in my mind many times since then.

I took this photograph while in residence at the Millay Colony. It’s a photo peering through a tear in the screen of one of the windows on Edna St. Vincent Millay’s writing cabin, which was locked up and required a fee of $16 dollars to enter. You can just make out the chair and desk where she sat to do her timed writing every morning. It was said that everything inside was left just as it was on the day she died. There are many reasons to be suspicious of this claim.

“As photographs give people an imaginary possession of a past that is unreal, they also help people to take possession of space in which they are insecure.”
-Susan Sontag

By Alexis

Alexis Clements is a writer and filmmaker based in Brooklyn, NY. Her creative work has been published, produced, and screened in venues across the US, Europe, and South America. Her feature-length documentary film, All We’ve Got, premiered in the fall of 2019 in New York City and has since screened around the US and internationally. Her play Unknown also premiered in October 2019 in Minneapolis, Minnesota. Other plays of hers have been produced, published, and anthologized across the US and the UK over the past two decades. Her prose writing has appeared in The Los Angeles Review of Books, The Guardian, Bitch Magazine, American Theatre, The Brooklyn Rail, and Nature, among others, and she is a regular contributor to Hyperallergic. In addition to her writing and filmmaking, she is currently serving on the Executive Board of CLAGS, the Center for LGBTQ Studies at the City University of New York (CUNY), as a Coordinator at the Lesbian Herstory Archives, and a co-founder of Little Rainbows, a queer story time for children and their caretakers.

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